Exhibit E-303 — the figures, collected. From 2016 to 2026 every article in the register carried one of five computed illustrations: impossible forms - a tribar, a honeycomb that cannot close, a cube whose corner faces two ways, a three-sided frame, linked rings - raymarched live in dithered ink, crystalline at rest, turning organic under the cursor and re-crystallizing on departure (the production of Morph Lab, assets/figures.js).

Why they were drawn. The articles needed images that could not be mistaken for stock, and the office's law says what appears on the page is computed on the page - so the figures had to be rendered live, never exported. The impossible object was the house metaphor of the DDI years: a structure that reads as coherent from exactly one angle, which is also a fair description of most design arguments. The dither was the printer's voice - one ink, no grays, the halftone of a filed document.

Why they are not used anymore. Retired in July 2026. By then the Bureau's mark had become a character - five uniform strokes with feelings - and the drawing law changed with it: whole strokes, one weight, no shading, no texture. Next to that language the figures read as renders from another office, volumetric and textured, carrying a second personality the page no longer had room for. A redraw under the new law was attempted and declined (the appendix below) - some drawings belong to their era. They are preserved here as built: still live, still computed, still impossible. Touch them.